Fall To Pieces
“I’ll tell ya, for me, it was pretty heavy [making the music video dramatizing the recent flash points in Weiland’s turbulent marriage, and his relationship with illicit and dangerous chemicals. Weiland and his wife, Mary, play out a number of these scenes, against a backdrop of seedy backstage areas, overdose-cramped emergency rooms, their own rapidly-crumbling dream-home – Ed]. But it was the only way to go about doing it. I was pretty scared when I made the decision to actually tell the real story. Because it could’ve gone either way – either it’d turn out amazing, and would have a huge impact, on a real emotional level, or it could’ve ended up really cheesy. I’ve really never done any real acting like that before. There weren’t any actual lines to say, it was more intense than that: I couldn’t hide behind any dialogue. I had to get everything across, all the emotion was non-verbal. Everyone had to dig deep inside of themselves, if it wasn’t going to be convincing it would be a complete pile of fucking bullshit. That song was written the day after I was arrested, and if things hadn’t changed there, then the band couldn’t have worked. I don’t even know if I’d be talking to you now. That song really tells the story of what happened over the year leading up to that event, and really, in a sense, tells the story of what’s happening now, by telling the story of what happened leading up to that day. If it hadn’t have been such a powerful song, on a musical level, I wouldn’t have been moved to write those lyrics, that melody. That song was the exact moment where I realized that Slash and I could really be one of those classic songwriting teams.”Scott Weiland (890)